HUNTED

People are always curious about where ideas come from – I am too – but it’s usually an impossible question to answer. In the case of Hunted however, I know exactly where the idea came from. I was stuck – I wanted to start another story but hadn’t thought of anything I wanted to write about (this happens to me quite a lot). I was washing up one afternoon and listening to the radio news and because I wasn’t concentrating properly two separate news stories got muddled up in my head: the first was a report of a girl who had been attacked by a gang of girls and left badly injured, the second a story about banning fox hunting. In my mind the girl became the hunted fox and that idea became the story.
Originally the story was called ‘Fugue Fox’ because in a musical fugue a melody or phrase is introduced by one part and successively taken up by others.
I wanted to address the same kind of ideas in the two worlds in alternating chapters. A fugue is also, according to my Chambers dictionary ‘a form of amnesia which is a flight from reality’ which is what Karen might seem to be doing when she turns into a fox. I wanted the reader to be uncertain as to which was the real world and perhaps to believe that Karen was dreaming the whole fox episode. In the end it did not seem such a good idea to call the book Fugue Fox – it’s a difficult word to read and although to some extent the title shaped the book it didn’t need to have that title in order to ask the question of what was real and what wasn’t. Now the only obvious remaining reference to the whole ‘fugue’ idea occurs when Karen fox first meets Mowl and he calls her ‘fewg’ which is also the name for fox in his language.
I also really liked the concept of something deemed impossible in this world being part of the religious culture of another – so that while the idea of Karen becoming a fox is unbelievable in this world, the idea of a fox being an unborn human soul – an arl is a commonplace of Mowl’s word. It is interesting to imagine that – just maybe – from another perspective people on earth are living in some kind of underworld – in a preliminary form from which they migrate. This is sort of true anyway if you believe in heaven although Mowl’s world is obviously not meant to be a heaven – just a place with a different world view and one which, from Karen’s point of view, is no more wrong than the ideas she grew up with.
I found ‘Hunted’ a more difficult book to write than ‘Warriors of Alavna’ perhaps because I was trying to do something more complicated, and because I had to invent Mowl’s world and its religion for myself.